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I decided to start doing sculpture because it allows me to interrelate with others.
We share the same human condition and sexuality with our predecessor, the Neanderthal, 16 millennia ago.
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I get passionate when defining the balance and tension among the characters in my artwork. In a way, they are not just characters; they have transcended the quality of the material. While working them, they defy limits and trespass over the borders of the possible.
This same tension comes from the subjects of her sculptures incorporating and expanding this illusion to the space surrounding them. Her pieces could be hanging from a ceiling, attached to a wall or jumping from it: 'I strongly believe that art must be integrated into the daily life and to the architecture. I will never understand the solemn art in a pedestal, far away and above.'
There, at the fundamental essence of her creations, she emphasizes the animal condition of human beings and the eroticism that lies behind it. In a culture where sex is still a taboo or in many of the times ignored, the female-woman, the male-man and the naked bodies in the same ritual of union that a Neanderthal experienced 16 millennia ago. Nothing has changed, no matter the technological advances nor the eagerness we have collecting possessions nor the rationality; we continue to be animals in adorned caverns. This illusion becomes the departure point towards the real world in her artworks.
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Works of Eleonora
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