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My sculptures, primitive visual symbols of like-totems and early calligraphic signs are in pursuit of abstract and pure sense of beauty.
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The world of ying and yang has always been present in my life and in my work. I am in a permanent search of balance. This pursuit has accelerated in the recent years because I have kept some emotions and dispositions from my childhood yet I have gained some others from my adulthood. I am curious and impetuous as a child even though I am also sometimes experienced and serene. I am broad minded, ambitious and passionate as in my early youth yet mild, peaceful and almost hermitical as a man. Neither confined by concepts nor happily conformed to existing rules. I set elevated goals for myself while keeping sedate and in a peaceful somewhat meditative state while working. Although people say my work is good, I believe one is constantly changing, so each new work is a fresh beginning nourished by my travels and readings which I try to constantly do.
In times of turbulence and everlasting changes, I stay calm and confident, emotions that have permeated to my work.
I am always looking for simpler ways to express myself. The lines are of a great importance to my work, they help me to develop a special language. Lines are simple and unpretentious. They conjure up concise and intangible configurations, tempering force with grace in handling dimension, rhythm and spatial melodies with ease. |
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Works of Wang Xieda
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